
The Streets
Original Pirate Material
Vice
Records
brought to you by Egg
Boy
White
boys doing hip-hop are all the rage these days. BRITISH white
boys doing it and sounding like Ewan MacGregors character
in Trainspotting, however, are a bit more rare. Enter The Streets,
chock full of loopy beats and Anglican Pub culture angst reflecting
a day in the life of a Geezer in England. Its
unique and kitchy for sure, and 8 miles ahead of the bummer,
superstardom-is-so-hard topics of Eminem.
Mike Skinner, the 22-year-old snotty Brit who basically is the
band, produces off-kilter beats and blips using his laptop,
then spats off on topics like smoking weed and video games,
all this in between tipping pints and checking out the ladies,
as in the hooky Lets Push Things Forward(around
here we say birds not bitches).
Skinners thick accent initially sets the record up for
a tongue-in-cheek, nudge, nudge, wink, wink affair.
But both musically and lyrically, The Streets rise above mere
novelty and engage the listener to consider the life and times
of the young and male middle-class Brit. Lines like Whose
round is it? Down that beer quick, smash my glass back down,
fall over the table all rowdy and pissed are as funny
as they are informative, in many ways more universal than the
on-wax lives of most modern American hip-hop artists.
Lest you think Skinner just a drunk with a microphone, witness
Irony of it All, a clever back-and-forth dialog
between a jock beer drinker and a video-game playing, pot-smoking
pseudo intellectual. Like most of Original Pirate Material,
it succeeds in toeing the line between mere entertainment and
political statement, succeeding on whichever level the listener
decides to perceive. And after all, its all good fun and smiles,
and somewhat nostalgic: we havent heard a skinny whitey
ask Who gots the Funk? since Beck burped unto the
scene in 1994 with Mellow Gold.
While The Streets might be a one-trick pony, Skinner has the
goods. Barring liver failure, expect OLM to be the first in
an innovative career of genre-twisting hip-hop.
Pros: excessive use of the word 'geezer'
Cons: sometimes it gets too serious
Useful for: drunken bar brawls and hip party mixes
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Music for the
Advancement
of Hip-Hop
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